Ann Massal's Photo Against the Machine, published by JBE Books in partnership with the Maison Européenne de la Photographie (MEP), emerges as a boundary-defying work that pushes the art world to rethink traditional interpretative practices. Massal's latest project, more than a mere collection of photographs, engages artificial intelligence as an active, dialogic partner in the analysis and appreciation of iconic photographic works, challenging notions of creativity, consciousness, and the art of seeing.

The Visionary Artist Behind the Project

Gilles Dacquin
© Gilles Dacquin
Massal, a Paris-based photographer and artist with an extensive international exhibition record, is known for her work's ability to "convey ambiguity" and reshape traditional perceptions of photography. She has exhibited widely, from the Helsinki Photo Festival to 104 Paris, and her art often lies at the intersection of beauty and fine art, with each piece inviting viewers to pause and question what they see.
In Photo Against the Machine, Massal extends her exploration of perception by inviting an AI into the interpretive process, creating an unprecedented "conversation with technology" around the imagery.

A Collaborative Residency with MEP: Fusing Tradition and Technology

JNE Books, 25 iconic photographs spark a dialogue with AI.
© JNE Books, 25 iconic photographs spark a dialogue with AI.
During her two-month residency at the MEP, Massal immersed herself in MEP's photo library and collections, including works by luminaries like Nobuyoshi Araki, Rineke Dijkstra, and Irving Penn. This residency fostered an intensive environment for Massal's creative exploration. Working closely with MEP's editorial team, she selected 25 photographs that would serve as conversation starters with AI, each anchored in a specific visual and historical context.
Simon Baker, MEP's director, initially hesitant about the project's unconventional approach, eventually endorsed the collaboration, highlighting how Massal's process was far from a "cheating student" approach to art critique. Instead, he found it a deeply original experiment, one that leveraged AI to spark insightful reflections on each piece in the collection.

Exploring the Essence of Photography: Dialogues Between Massal and the Machine

JBE Books, Esther Ferrer’s Música Celestial.
© JBE Books, Esther Ferrer’s Música Celestial.
The book's structure mirrors a series of interviews or critiques in which Massal, through carefully crafted questions, leads the AI to explore each photograph's essence. One dialogue in Photo Against the Machine centers on Esther Ferrer's Música Celestial, a work Massal describes as having an "unparalleled silence" and resonance. The AI interprets this piece as a "striking visual pun," likening its chaotic black lines to a cosmic event or musical score, a "sensory riddle that blurs the boundaries between sight and sound".
Through these dialogues, Massal explores her core question: Can a machine access a purer form of art appreciation? In its response to Ferrer's work, the AI interprets the tangled lines and musical notations as a celestial soundtrack, suggesting that art can communicate beyond traditional language. The conversation probes at the "very essence of photography," asking viewers to rethink their own understanding of imagery and sound.
JBE Books. How to read "Photo Against the Machine."
© JBE Books. How to read "Photo Against the Machine."

AI's Role in Reframing Iconic Works

Massal includes works by William Klein, Nobuyoshi Araki, Sarah Moon, and Martin Parr, each chosen to provoke AI's interpretations.
The AI's response to Araki's emotionally raw work, for instance, revealed an unexpected sensitivity, analyzing the interplay of light and shadow to highlight themes of vulnerability and resilience. This fresh perspective was particularly valuable when interpreting works that challenge traditional representation, such as those by Hiroshi Sugimoto and Shirin Neshat, whose work frequently explores themes of time, identity, and perception.

A New Model for Art Criticism: Photo Against the Machine as Artistic Experiment

Massal's Photo Against the Machine ultimately serves as both a celebration and critique of AI's role in contemporary art. The work adds a new layer to the conversation, recognizing technology's value as an "algorithmic research aid" while emphasizing human curiosity and creativity. In Massal's hands, the AI becomes a collaborator in the "artist's eternal quest for balance," revisiting themes of chaos, structure, and liberation.
Massal's project invites readers to engage with both art and AI on a deeply personal level, creating "a wild and ever more complex map of hitherto uncharted territories" that redefines what an art book can be.
In an era where AI's influence on creativity is widely debated, Photo Against the Machine stands as a testament to the transformative potential of art and technology. It is, in Baker's words, "a truly unique work of art in its own right," pushing the boundaries of artistic expression while remaining grounded in the deeply human experience of creation.